It started out as a simple hobby when, lo and behold, I realized I have just accumulated 20,000 distinct toy characters in my collection... and the number is still growing. This blog is a great space to share to others just how amazing some of these characters are especially the ones that may have been forgotten or perhaps even those deemed insignificant. Visit Percy's World of Toys as often as you can and witness how the list progresses right before your eyes. Enjoy.
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Monday, January 9, 2012
4138. Ghost Rider The Movie
Ghost Rider is a 2007 superhero film written and directed by Mark Steven Johnson. Based on the character of the same name which appeared in Marvel Comics, the film stars Nicolas Cage as Johnny Blaze, a stunt motorcyclist who sells his soul to the Devil and transforms into the vigilante Ghost Rider.
Its sequel film Ghost Rider: Spirit of Vengeance will be released on 17 February 2012.
Instead of a "hard drinking and smoking bad ass" Johnny Blaze, Nicolas Cage decided to give him more depth. "I'm playing him more as someone who... made this deal and he's trying to avoid confronting it, anything he can do to keep it away from him". Cage also explained that Blaze's stunt riding was a form of escape and a way to keep him connected to his deceased father, who taught him to ride. Cage rode a Buell motorcycle for Blaze's stunt cycle, and a heavily customized hardtail chopper named "Grace" which transforms into the "Hell Cycle". The Hell Cycle's wheels, made of pure flames in the comics, were changed to be solid tires covered in flames in order to give the motorcycle more weight onscreen.
Ghost Rider's skull flames were designed to become smaller and blue to display any emotion other than rage. The film's visual effects supervisor, Kevin Mack, and the visual effects team at Sony Pictures Imageworks handled the difficult task of creating computer-generated fire on a shot-by-shot basis.Ghost Rider's voice was manipulated by sound designer Dane Davis, who won an Academy Award for Sound Editing for The Matrix. Davis filtered Cage's line readings through three different kinds of animal growls that were played backwards and covered separate frequencies. Davis then amplified the dialogue through a mechanical volumizer. Director Johnson described the sound as a "deep, demonic, mechanical lion's roar".
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